Srividya

The upāsanā of Mahātripurasundarī Parābhaṭṭārikā in the śrīcakra is called Srīvidyā. Specifically, this refers to the Pañcadaśī and ṣōḍaśī mahāmantras. Srīvidyā is the most complete and sophisticated school of Tantra today. This school derives its metaphysics from the Kāśmīra śaiva darśana. The three main sampradāyas of śrīvidyā are Dakṣiṇāmūrti, Hayagrīva and Paramānandabhairava.

The three major streams of śrīvidyā are:
- Kādi propagated by Manmatha or Kāmarāja
- Hādi propagated Lōpāmudrā
- Sādi propagated by Sage Durvāsā

In the Southern recession of śrīvidyā, the worship of Mahātripurasundarī and her retinue of deities - Mahāgaṇapati, Bālā, Rājamātaṅgī, Mahāvārāhī, and Parā - is codified in the Paraśurāma Kalpasūtra. In the Northern recession of Sarvāmnāya Krama followed in our lineage, Rājarājēśvarī is worshiped in the ṣōḍaśāvaraṇa śrīcakra along with Ugratārā, Bhuvanēśvarī, Dakṣiṇā Kālī, Navaratna Kubjikā, Triśakti Chāmuṇḍā, Kāmakalā Guhyakālī, and Bālāmbikā. This procedure is derived from Br̥hadbaḍabānala Tantra.

Bhāskararāya Makhīndra is the most well-known luminary of śrīvidyā. His three works - Saubhāgyabhāskara, Varivasyārahasya and the commentary on Nityāṣōḍaśikārṇava - constitute the Prasthānatraya of śrīvidyā. Several living lineages today trace their schools to Bhāskararāya.

Srīvidyā upāsanā is followed in all four āmnāya maṭhas established by Adi Shaṅkarācārya. The worship of śrīcakra is performed every day in these maṭhas.

Articles

Kritya

taptahaaTakakeshaanta jwalatpaavakalochana | vajraadhikanakhasparsha divyasimha namostute || Krityas are mantric weapons which are used to destroy a powerful enemy or defend oneself from an attack.

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Krama Shodha Nyasa

namastripurasundaryai namo svacChandAnandanAthAya bIjaM kUTaM kramo dhAtustattvaM pa~nchamapa~nchakam | pa~nchaviMshatisaMkhyAkA nyAsa ete prakIrtitAH || vAradIkShAkramashchaiva dIkShAkramastathaiva cha | nyAsashchaivaM dvidhA choktau nityaM chaiva kriyeta chet

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Krama Mukti

shrImAtre namaH Here is a verse from the phalasruti of Sri Lalita Sahasranama: yastu nAmasahasreNa shukravAre samarchayet | chakrarAje mahAdevIM tasya puNyaphalaM srNu || sarvAn

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Khadgamala

[Query] What is Khaḍgamālā and what is its significance? Khaḍgamālā is not merely a stōtra or a hymn but is a Mālāmantra which invokes Mahātripurasundarī

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Kanchi Kshetra Darshanam

namastripurabhairavyai There is a traditional way to have thec darshana of bhagavatI shrIvidyA parameshvarI at kAnchI. Although I was told not to reveal this procedure,

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Kanakadurga

Sri Kanakadurga Devi shines brilliantly on Indrakiladri, in Vijayawada in Andhra Pradesh on the banks of river Krishnaveni. Devi is often referred to as kShipraprasAdini

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Kameshwara

[Query] Why is worship of Sri Kameswara not popular like ambaal and involving independent aavaranam? namaH paradevatAyai paradevatA is described as shivashaktyaikyarUpiNI and hence worship

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Kamakotika

Sri Muttuswami Dikshitar was a scholar par excellence, a great musician and composer, a divine Jnani, a humble Bhakta, a knower of Mantra Shastra and

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Kadi – Hadi – Sadi

[Query] Please enlighten about differences between kadi, hadi and sadi vidyas? In essence, there is no difference between kAdi, hAdi or sAdi as all three

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Hiranyavarna Harini

VekaTAdhvari, in his lakShmIsahasram, sees the kaTAkSha of shrI mahAlakShmI as the driving force behind all the accomplishments of the dashAvatAra-nAthas. He describes the sAmIpya

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Guru Tattva Vimarshini

The Bhavanopanishad says: `shrI guruH sarvakAraNabhUtA shaktiH’ – The auspicious master is the all-causative power. The Guru, (the word derived from root `gri’, is one

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